Credits
Disco Solar (2025) Poemas Solares (2025) Todo lo que escuchamos trae visiones del futuro (2025)
Disco: Picture disc, Lathe Cut vinyl, 50 copies. Produced by Vinilorama Récords Medellín; Editing and Mastering: Silvino MiSur, George Ortega; Graphic design: Ser del cosmos; Publishing: Cosmos ediciones. Publication: 16 yellow sheets of 250g paper, risograph printing.
Ser del Cosmos
Artist, sociologist, and psychologist 1994, Colombia, lives and works in Cali
Ser del Cosmos works with text as a point of departure to shape visual forms that engage with narratives of identity and with the ways she records and transforms the everyday into potential. Her practice spans collage, installation, video, mural, poster, and screen printing.
She understands editorial leisure as a curatorial mode of thinking and, in recent years, has been involved in independent publishing and editorial projects. From 2021 to 2025, she ran Casa Futura, an independent press that collaborates with artists and writers across Latin America. She is currently editor and design director at Cosmos Ediciones. Alongside this, she researches sound and music through an independent archive dedicated to Black music, exploring how sound, identity, and Blackness intersect. She treats music as a document through which shared narratives of the diaspora can be understood. A collector of vinyl records — particularly Black music — she creates sound interventions in public spaces as acts that reclaim pleasure and listening.
María Isabel Rueda
Curator and artist 1972, Colombia, lives and works in Puerto Colombia
Born in Cartagena de Indias, on Colombia’s Caribbean coast, María Isabel Rueda currently lives in Puerto Colombia, a coastal town in the same region. This environment has shaped her practice over the last decade, anchoring it in the area’s particular context. Active as an artist since the late 1990s, Rueda has been a key figure in Colombia’s contemporary art scene. In the latter half of the 2010s, she was part of the now-defunct space El Bodegón and co-directed the independent project La Usurpadora in Puerto Colombia — an artist residency and curatorial platform with both local and international reach — through which she curated Háganlo mientras sean jóvenes for the Artecámara section of the Bogotá International Art Fair ARTBO in 2017.
In 2019, she joined the artistic team of the 45th Salón Nacional de Artistas with the curatorial project Universos Desdoblados at the Museum of Modern Art of Bogotá, and served as artistic advisor for the 2022 Venice Biennale (The Milk of Dreams). In 2024, together with Catalina Vargas, she curated Acuerdos con el mundo natural y la asamblea de los seres vivos in Fragmentos, Espacio de Arte y Memoria in Bogotá. In 2021, along Eliana Hernández, she received Colombia’s National Poetry Prize for La mata, a book in which nature speaks as both voice and witness. She is the editor of the magazine Tropical Goth and, in 2017, curated the exhibition Gótico Tropical. Variaciones de la luz en otras dimensiones, as part of the France-Colombia year. She currently works in Barranquilla, alongside Julián Chams and Juan Betancourt, at La Casa de Meira, a center for artistic experimentation on Colombia’s Caribbean coast.